As part of a continuous and reconfigurable series under the same title, On the Probability of an Irregularity takes the form of a geometric metal structure that fires confetti. With the apparent result of undermining the design ideology on which the structure is based by periodically celebrating it, the comic gesture of firing confetti, by which conflicting means seem to conspire in an attempt to revive the loss of relevance of a cultural legacy, also creates a playful atmosphere in which all kinds of new alternatives seem possible.
